BARRY ADAMSON: GONE UNDERCOVER
Following acclaimed performances in 2025, Barry Adamson returns with GONE UNDERCOVER, a unique solo show that explores the songs, sounds and stories that helped shape one of Britain’s most distinctive musical voices.
Part concert, part remix, part musical investigation, Adamson deconstructs and reimagines music that has accompanied him throughout his life, alongside often radical new interpretations of material from his own back catalogue.
Armed with bass, guitar, keyboards, voice and a treasure trove of sonic fragments, Adamson creates a live experience somewhere between a concert, a DJ set and a late-night séance.
Songs collide.
Memories surface.
Hidden connections emerge.
Expect the unexpected as Adamson opens the case files on a lifetime spent chasing the music that moves the soul.
Throughout the evening Adamson will act as guide, curator and participant, revealing the invisible threads connecting his work to the music that inspired it.
At once intimate, cinematic, humorous and deeply personal, GONE UNDERCOVER offers audiences a rare opportunity to experience one of Britain’s most distinctive musical voices in its most direct form.
One man.
A room full of ghosts.
A lifetime of songs.
BIOGRAPHY
Barry Adamson has been creating all of his life.
Brought up in Manchester’s Moss Side, Adamson learnt to play the bass overnight for Magazine, Manchester’s most influential band of that era.
When they disbanded, five albums later in 1981, his singular style was spotted by The Birthday Party, with whom he played several times.
His establishment as a solo artist came after a three-year stint with Nick Cave & the Bad Seeds with the release of his classic first solo album, Moss Side Story – the ultimate soundtrack to an “imaginary film” – which raised Adamson’s name as a composer of diverse complexity; able to tell a story with music, where the images were those supplanted in the minds of the listeners. Adamson has worked with some of the film industry’s most intriguing mavericks including Derek Jarman (The Last of England, 1987), David Lynch (The Lost Highway, 1997), Oliver Stone (Natural Born Killers, 1994) and Danny Boyle (The Beach, 2000).
Having released nine studio albums, including the 1992 Mercury Music Prize nominated Soul Murder, 1996’s Oedipus Schmoedipus, which includes collaborations with Jarvis Cocker, Nick Cave and The Associates’ Billy McKenzie, and his most recent release, Know Where To Run, which was in part inspired by a US tour, playing with Nick Cave & the Bad Seeds.
After 32 years, Adamson’s talents are as much demand by new generations of artists as he was after his first solo release, with collaborations in recent years across a variety of art forms, including an Olivier Award winning ballet performance by Sylvie Guillem and the Ballet Boyz scored by Adamson.
It was always a logical progression for Adamson to move behind the camera and once again his brooding film noir style and dark comedy has seen him write, direct and score a number of short films, including ‘The Swing The Hole and The Lie’’ (2014) as well as the 2017 video for They Walk Amongst Us.
The release ‘Memento Mori’ (Anthology 1978-2018), brought together the artist’s writing and recording career over a 40 year period charting his career from 1978’s Magazine track, ‘Parade’ (co-written by Adamson, from their debut album Real Life); to his work as founding member, alongside Nick Cave, of the Bad Seeds (‘From Her To Eternity’, co-written by Adamson); through his nine solo albums, from 1989’s Moss Side Story to the latest Love Sick Dick EPs, bringing everything up to date with a brand new unreleased track, ‘The Hummingbird’.
Barry Adamson’s memoir ‘Up Above The City, Down Beneath The Stars’ is published by Omnibus Press.
Musician, composer, writer, photographer, filmmaker. Barry Adamson is not a man to take it easy.
